Update 2 files

- /locale/pl/docs/Polish translations of non-binary genders in fantasy - Agnieszka Kantyka.pdf
- /locale/pl/config.suml

locale/pl/config.suml

@@ -1698,6 +1698,34 @@ links:
                     dla odbierania ich samych w społeczeństwie, to ani język czeski ani język polski
                     nie zapewniają odpowiednich środków, aby mogły wyrażać się w zgodzie z ich tożsamością płciową.
             tags: ['dukaizmy', 'niebinarność', 'niestandardowe formy rodzajowe', 'osobatywy', 'polski a inne języki', 'rodzaj neutralny']
+        -
+            year: 2024
+            reference: >
+               Kantyka, Agnieszka. 2024. {/docs-local/Polish translations of non-binary genders in fantasy - Agnieszka Kantyka.pdf=Polish translations of non-binary genders in fantasy as seen in <em>Nimona</em>, <em>She-Ra and the Princesses of Power</em>, <em>The Owl House</em>, <em>The Sandman</em>, <em>Hades</em> and <em>Hades II</em>.}
+                Praca magisterska. Uniwersytet Jagielloński.
+            abstract:
+                - >
+                   This thesis analyses the Polish translations of Anglophone fantasy media containing characters
+                   whose gender identity can be labelled as non-binary. It contains a description of the forms of
+                   Polish which might constitute a solution to the translatorial problem of rendering a character’s
+                   non-binary gender identity linguistically. Those forms are divided into three categories:
+                   highlighting a gender identity beyond the binary, obstructing a gender identity and creating
+                   a binary gender identity. The analysis of the solutions employed in translation focuses on
+                   such characters as Nimona in N.D. Stevenson’s graphic novel <em>Nimona</em> and the film adaptation of
+                   said comic book, Double Trouble in N.D. Stevenson’s animated show <en>She-Ra and the Princesses
+                   of Power</em>, Raine Whispers in Dana Terrace’s cartoon <em>The Owl House</em>, Lucifer Morningstar and
+                   Desire in both Neil Gaiman’s graphic novel <em>The Sandman</em> and its TV adaptation, as well as
+                   Chaos in the video game <em>Hades</em> and its sequel, <em>Hades II</em>. In most cases the characters were
+                   (mis)translated using a binary gender and thus their non-binary identity was erased, an
+                   error which could be corrected via one of the methods suggested in the thesis.
+                   The (mis)translations have an effect on both the worlds depicted in the pieces of media
+                   discussed, especially on the relations between the characters, as well as on the real world.
+                   The real world consequences include linguistic impoverishment of the target language, since
+                   the novel non-binary forms are not employed and instead replaced with more conservative
+                   solutions to the translatorial problem. Those (mis)translation also negatively impact
+                   the real-life non-binary individuals and their visibility and can be seen as forms
+                   of transphobia.
+            tags: ['język literatury', 'przekład', 'rodzaj neutralny']
 
     mediaGuests:
         -